Tuesday, August 30, 2011

Our Idiot Brother

Photo #8
*** stars

Our Idiot Brother tries a lot harder than other films in its genre to have a reason for existing. It's a comedy about a stoner, but it's not a stoner comedy. This is a compliment. The always reliable Paul Rudd is hilariously funny as Ned, an organic farmer who gets busted for selling drugs to a cop. Now, Ned says no at first, but the cop said he wanted the pot because he had a rough week, so Ned feels bad and agrees. This is where the take down occurs. Ned has a couple screws loose, but he is also sweet and concerning. Which is why his sisters put up with him: Miranda (Elizabeth Banks), the urban-esque journalist type, Natalie (Zooey Deschanel), the hip retro-lesbian type, and Liz (Emily Mortimer), the given-up wife who hides behind her husband type. All of them at one point put Ned up at their place. He creates a problem and goes on to the next sister. Or does he? Our Idiot Brother does a great job at making Ned an intricate character, letting the others around him be convinced that he is the one to blame for all of their problems while at the same time never condoning any of them. It's a little weird at times with a rather cheesy ending (I feel the studio had a hand in this one), but in a month where movies have been mediocre at best, Our Idiot Brother provides a fun and harmless time for you and yours.

Thursday, August 25, 2011

Another Earth

Photo #1
**** stars

There is something miraculous about a movie that has huge ambitions, is able to surpass those huge ambitions, and land somewhere between transcendent and exuberant. What's even more miraculous? The reported $150,000 it cost to make.

I'd like to take a minute to comment on this $150,000 budget. This idea could have easily been turned into a big-budget explosiathon (my new word of choice for any film resembling a Michael Bay picture), an outcome that would have lost the movie's credibility and directorial edge by Mike Cahill. It is a delight to know that someone out there knows how to tell a story without the fixation of the almighty dollar. I for one am deeply in love with this version of Another Earth, a startling and fascinating story about turning a personal tragedy into potential catharsis.

Imagine you're a high school senior. You've just been accepted into your dream school and everything in your life is going to plan. That's what Rhonda Williams (a stunning performance from Brit Marling) had going for her, until one fateful mistake. On the night of her celebration into getting MIT, Rhonda gets drunk and drives right into another vehicle, killing a mother and child, and emotionally paralyzing the father. But not right before she sees something, something in the sky. Something that's similar to something she's seen a million times before, but never in the sky. It is another earth.

On this earth though, Rhonda spends four years in jail, and upon her release, she lives at home working as a janitor. Losing everything has made her become a sad soul. In order to regain it, she must act like there's nothing to lose. Rhonda seeks out the father, John Burroughs (William Mapother), hoping to confess her crimes, as he does not know who the culprit is that took his whole life away in a matter of seconds. When she approaches his doorstep, she retreats, and instead tells him that she is willing to clean his house for him as a service. He agrees, but with the rough state he and his physical surroundings have become, he doesn't really have a choice.

There is a growth in Rhonda and John's relationship that I do not want to directly give away, but I will say that at first glance is may feel a bit like a soap opera, but it is within the depth of the characters and the performances of its stars that allow us to believe the actions that we see.

So in all this, you're asking yourself, what does this have to do with another earth? As this is all taking place, the talk of this world has been about the discussion of the other in its vision. When NASA decides to send astronauts and a lucky few to explore the new terrain, Rhonda decides that her story is heartbreaking enough that she just may be in deserving of a new start. Then again, doesn't everyone? Another Earth discusses the themes of vulnerability, uncertainty, and hope, all within the confines of a film that dares to be something completely different than the rest.

And all the better for it.

Friday, August 12, 2011

30 Minutes or Less

Photo #8
** stars

In an era where comedy seems almost impossible to replicate, 30 Minutes or Less does nothing to retort this claim. Nothing but a movie dumped at the end of the summer with a few comedic stars attached to it to try and recoup its petite budget. Forgettable and harmless. Yawn. Where's the excitement of Get Him to the Greek? The epicness of The Hangover? The hilarious awkwardness of a nostalgic comedy like Superbad? This buddy comedy starring about a pizza delivery guy (Jesse Eisenberg) who gets a bomb strapped to his chest by a couple wannabe criminals (Danny McBride & Nick Swardson) and receives help from his school teacher best friend (Aziz Ansari) musters a few laughs, but fails to ignite into anything more than an afterthought. Not hard to watch, but just as easy to ignore.

Friday, August 05, 2011

Rise of the Planet of the Apes

Photo #3
***1/2 stars

Maybe it was the low expectations. Maybe it's because of Andy Serkis and his brilliance with motion captured performances, but Rise of the Planet of the Apes is surprisingly one of the funnest times you'll have at the movies all summer.

Andy Serkis is something else. A brilliant actor, and sometimes it feels like no one even knows how brilliant he really is. I always had this vision that if I ever met him, I would joke around and say, "Oh, so you're the guy who does the voice for Gollum?" Obviously, and deservedly, he would probably punch in the face. But realistically, I would probably tell him that he is changing the movie business for better and for always. First Gollum, then King Kong, and now Caesar, the ape who changes the world for worse and for always.

That doesn't go without saying that Caesar is a tragic soul who has a deep love for his human, Will Rodman (James Franco), a neuroscientist who desperately tries to find a cure for Alzheimer's disease. His father Charles (John Lithgow) has been a long time sufferer from the illness, which roots the story that Will is doing this to save the one he loves. He develops a virus called ALZ-112 and tests it on chimpanzees in a San Francisco lab. Just when he thinks he has found the cure, the side effects cause one of the chimpanzee's to go on a lunatic rampage, causing the destruction of the project.

However, the reason for the chimpanzee's behavior is because she feels her baby, Caesar, is threatened. When Will's boss Steven Jacobs (David Ovelowo) demands that all the apes be put down, Will's collegue Robert Franklin (Tyler Labine) cannot muster the courage to follow through with this order and kill Caesar. Instead, he secretly passes him off to Will, who raises him. Through all this, Caesar has gained his mother's overwhelming intelligence after years of learning and TLC from Will. Caesar is something so rare it's as if he can be the one who changes everything we humans have come to believe.

Years later, Caesar, still living with Will, and who is very close with Will's father, sees Charles suffering from his disease out in public. He accidentally stumbles into a neighbor's car and tries to drive it, causing severe damage to the vehicle. When the owner of the vehicle yells and pushes him around, Caesar, seeing this from the attic window, flies outside and violently injures the man in an attempt to protect Charles. At this point, Animal Control is called in and Caesar is sent to ape prison.

Here comes the revolution. Caesar, feeling betrayed by Will and the world, gathers up the apes in the prison cells around him in what soon becomes the fight for the control of the planet. It's amazing that the interaction between the apes are more compelling than the humans. Again, this is because of the amazing Andy Serkis. It's sad that his performance will never be recognized by the Academy. In an interview with Entertainment Weekly, he mentioned that he would be angry if the AMPAS created a motion capture performance category, as he believes performances like this are on par, if not more challenging, than a regular performance by an actor. I don't blame him. It's the same frustration I'm sure Pixar has with the best animated feature category.

Are we naive enough to believe in this day-and-age that these performances aren't real? He's not just doing the voices. He is Caesar, and without him, you may as well use the same animation you see in Curious George.

I wouldn't call Rise of the Planet of the Apes a great film, but it certainly is great fun. More fun than I've had at Pirates of the Caribbean: On Stranger Tides , Transformers: Dark of the Moon, and Cowboys & Aliens put together. It's a patient blockbuster, one that takes the time to establish the emotions of the characters, the wit of their interactions, and the necessary details to create a satisfying payoff, all of which come together in a third act that will have you banging your chest with excitement. It also accomplishes the rare feet of having me eagerly anticipating a sequel. How often can you say that?